![]() Named “Best Breakout Star” by Chicago magazine, she has continued her relationship with Lyric audiences as Vitellia in La clemenza di Tito, Eva in Die Meistersinger von Nürnberg, and as Marta in The Passenger, hailed as a “shattering, star-making performance” by the Chicago Classical Review. An alumna of the Ryan Opera Center, she made her mainstage Lyric debut with only a few hours’ notice as Countess Almaviva conducted by Sir Andrew Davis. Majeski made her Metropolitan Opera debut on the opening night of the 2014⁄ 15 season as Countess Almaviva in a new production of Le nozze di Figaro conducted by James Levine, which was broadcast in HD around the world and on PBS across the United States. ![]() Majeski returned to the Glyndebourne Festival as Eva in Die Meistersinger von Nürnberg in David McVicar’s production. She debuted two Strauss heroines in the United States after major European successes: the Marschallin in Der Rosenkavalier at the Lyric and Countess Madeleine in Capriccio at Santa Fe Opera. Majeski brought her acclaimed Countess to the Metropolitan Opera, Lyric Opera of Chicago, and Ópera de Oviedo. She concludes her season at the Teatro Colón in Buenos Aires, Argentina, as the fiery Cleopatra in Handel’s Giulio Cesare. She returns to the Metropolitan Opera in a house role debut as Donna Elvira in Don Giovanni before singing her first Fiordiligi in Opera Omaha’s Così fan tutte. She opens the Washington National Opera season in one of her signature roles, Countess Almaviva in Le nozze di Figaro. Soprano Website Facebook Twitter InstagramĪmerican lyric soprano Amanda Majeski is rapidly garnering critical acclaim for a voice of “silvery beauty” (Musical America) that combines “transparent fragility with soulful strength.” (Chicago Sun-Times)Īmanda Majeski’s 2016⁄ 17 season will see her perform a trio of beloved Mozart heroines.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |